Her work was to make others' work shine. Every element could always be presented better, if looked at in a perfect environment. A word, a sound, or even a whisper “looked” better in proper light. Light had the power of showing or hiding a detail, a fragment, even emotion. She had an unlimited amount of equipment at her disposal, from guided lights to a Virtual Reality cubic environment. She could choose her virtual background over the stage construction, or set some floating objects that would look real. The stage designer preferred “atom based solutions.” The one prop they all agreed on to always be virtual was the gun – no crimes on the record for the Orchestra.